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The world listening project’s inaugural World Listening Day takes place Sunday, July 18th, 2010.

You are invited to participate.

The purposes of World Listening Day are:

• to celebrate the practice of listening as it relates to the world around us, environmental awareness, and acoustic ecology;
• to raise awareness about issues related to the World Soundscape Project, World Forum for Acoustic Ecology, World Listening Project, and individual and group efforts to creatively explore phonography;
• and to design and implement educational initiatives which explore these concepts and practices.

World Listening Day is being organized by the World Listening Project, in partnership with the Midwest Society for Acoustic Ecology. July 18 was chosen as the date for World Listening Day because it is the birthday of the Canadian composer R. Murray Schafer, who is one of the founders of the Acoustic Ecology movement. The World Soundscape Project, which Schafer directed, is an important organization which has inspired a lot of activity in this field, and his book The Soundscape: Our Sonic Environment and the Tuning of the World helped to define many of the terms and background behind the acoustic ecology movement.

Participating

BASE is not holding any formal event this year, but I encourage you to spend some time listening, or organize a soundwalk with friends to celebrate this inaugural day!

Hildegard Westerkamp has written a wonderful treatise on soundwalking – I encourage you to read it and try it out!

-jeremiah moore

Future, past, imaginary soundscapes of Yerba Buena Gardens curated by Bay Area Sound Ecology

FREE EVENT
June 13, 7pm, outdoors at Yerba Buena Gardens
Mission Street between 3rd and 4th, San Francisco
Produced as part of Project Soundwave: Green Sound 2010
Festival Event Page

The following Tracks are material for a live participatory performance at Yerba Buena Gardens in San Francisco.  Please download the following tracks  and bring them loaded onto your portable player / amplification system.

Download All Tracks at Once (recommended)

Download all tracks in a single .zip file:

Phantom Power Tracks (.zip 124 MB)

ANDREA WILLIAMS – Garden TOOR

The tracks constitute a site specific soundwork, intended to be heard simultaneously each from from a separate mobile speaker system, within the environs of Yerba Buena Gardens.

Participants: Please download all four tracks; at the performance you will be asked to play one of the four color-coded tracks.

14 minutes 35 seconds.

Garden TOOR – Red

Garden TOOR – Blue

garden TOOR – Green

garden TOOR – Yellow

JEREMIAH MOORE – Cycles

The tracks consitute a three-part soundwork, intended to be played simultaneously on separate speaker systems during a predefined walk in Yerba Buena Gardens.

Participants: Please download the following three tracks; at the performance you will be asked to play either A, B or C.

14 minutes 56 seconds.

Cycles A

Cycles B

Cycles C

BERNIE KRAUSE

Please download the following four approx. 1 min 30 second tracks:

Ocean Dreams

Ocean Wonders

Sequoia

Sonoma

Chris Carlsson published an SF noise story today in sf.streetsblog.org.

A paragraph regarding critical mass and the sound of bike transport:

“For us cyclists, the sounds of our whirring wheels and gentle gear changes is a pleasant confirmation of our self-propulsion. One of my favorite aspects of Critical Mass is the completely altered soundscape that accompanies our progress through the City. Sure, sometimes we’re hooting and hollering, and there are at least a half dozen folks who might show up with serious sound systems pumping loud tunes into the air (a side note: the SFPD ticketed all the sound systems last month for lack of sound permits in their ongoing war of attrition, trying to literally raise the price for participating in CM). But the majority of time the sound is that of rolling bikes, murmuring voices, tinkling bells, and laughter. It’s such a lovely kind of quiet, full of life and sweet energy, but so different from the anonymous, unaccountable thrumming of machines that fills our ears so often that we frequently stop noticing until they are turned off. And once you’ve ridden through the city in a mass of bicycles, it’s hard not to remember that different urban environment, and wonder why it can’t be more like that all the time.”

Noise Map

The second thing is this SF dept. of Health “Transportation Noise Map” which is quite visually beautiful (to my sensibility anyway) though I question it’s accuracy.

Transportation Noise Map of San Francisco, 2008

Scroll down to “Traffic Noise” and click the thumbnail map to download a PDF version

I haven’t done any digging, and am unlikely to, but I have to assume this is based on modeling not actual measured SPL (that would be far too expensive to accomplish) and I wonder modeled on what data?  Strange that South Van Ness – a shade busier than Folsom, two shades less busy than Mission, is red while Mission is hardly even orange.  Not sure I want this map to represent the city when it comes to making policy decisions.  However if you zoom into the upper right corner, the image does bear some resemblance to the pride flag.

On the noise-complaint front, for better or worse or both, you can look at the inner workings of the SF Noise Task Force.

-jeremiah

Announcing: American Society for Acoustic Ecology (ASAE) Inaugural Retreat, Chicago July 9-11, 2010

The ASAE’s first retreat will be held July 9-11, 2010, hosted by the Midwest Society for Acoustic Ecology and the World Listening Project in Chicago. This will be the first acoustic ecology conference held in Chicago, home to a thriving sonic arts community and center world for world-class architecture, located on the shore of largest group of freshwater lakes on Earth.

Among other events, we are planning discussions around “Florasonic” – a sound art installation at the Fern Room in the Lincoln Park Conservatory by Lou Mallozzi Founder and Director of the Experimental Sound Studio (ESS), an afternoon soundwalk at Indiana Dunes National Lakeshore, Douglas Center for Environmental Education, a Chicago nightlife soundwalk, and a public forum on urban sound environments addressing local, national and international sound and environment issues from multiple perspectives.

While this event has been designed to allow members of the ASAE to meet and plan for the future, members of the greater WFAE community are invited to participate.

Contact andrea@andreapolli.com or info@mwsae.org for more information.