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Nature sound recordist Gordon Hempton shares some of his beautiful recordings, and discusses his One Square Inch of Silence project, including his recent book.

Gordon Hempton requires no introduction for many in the recording world – his recording work speaks for itself, and he’s been at it for a long time.  He’s got a book out on natural quiet and his journey of advocacy, co-written with John Grossman.  It’s called One Square Inch of Silence: One Man’s Search for Natural Silence in a Noisy World.  More info at onesquareinch.org/book

Gordon discusses the sounds of his back yard, and his journey toward becoming a natural quiet advocate.

@ 7:38 – recording: Coyote duet recording from Gordon’s back yard
@ 10:03 – on John Muir
@ 12:31 – Human noise intrusions into the story of the book coming to be
@ 17:30 – Establishment of One Square Inch (OSI) and effects
@ 20:57 – recording:  24-hours of Dawn Chorus compressed into One Minute
@ 25:22 – John Muir as a sound recordist (in text).  History of Muir and Hempton
@ 28:18 – recordings: Waters of the Muir world
@ 30:10 – recordings: Three waterfalls of Yosemite

At about 34 minutes a discussion ensues, topics including John Muir, hydrophones, the human-listening perspective, Ann Kroeber on the sound of space (and contact mics), the acoustics of Gordon’s backyard, binaural equipment, recording as a listening practice.

More discussion:
@ 51:57 – Finding good locations to record in nature.  Being still.
@ 2:00:21 – Not being eaten by the wildlife.  Noise and legislation.  Mark Twain and Mississippi songbirds.
@ 2:07:56 – recording: an amazing Sage Grouse recording.
@ 2:10:23 – recording: Dawn on the Mississippi River – a beautiful tour through the first minutes of the dawn chorus as the birds organize themselves acoustically.

On Friday April 17th 2009 we were honored to host listener, recordist and self-avowed acoustic ecologist Gordon Hempton – the Sound Tracker – for a BASEbot listening salon.

Gordon is on tour with his new book One Square Inch of Silence: One Man’s Search for Natural Silence in a Noisy World co-written with John Grossman and published by Simon and Schuster.  Gordon spoke at length about his journey into becoming an outspoken advocate of natural quiet, from following in the footsteps of John Muir to creating the One Square Inch of Silence project in the Olympic National Forest.

We heard some wonderful recordings, notably a beautiful coyote duet recorded in Gordon’s backyard and an unearthly Sage Grouse mating ritual.  You can listen for yourself in our podcast.

We discussed the act of recording as a state of active and still receptivity – akin to meditation in many ways – and the physical and mental discipline required.  The ways in which the recordist’s sphere of awareness expands to include more and more of the world around – the margins, the periphery – and the things you notice while in that state to which you’d otherwise be oblivious.

After, I find myself thinking of how our culture has so reduced the likelihood of entering that state, a state any other animal probably spends a good deal of time: simply observing.  Which ties back to the idea we discussed last summer with the folks from NYSAE of listening itself as a potentially radical act amidst industrialized consumer society.  To simply quiet onesself and listen.

The event was our most conversational salon to-date – a great success.  Thanks to Gordon for coming, to Aaron for inviting him, and to Dan and Sharon for hosting us in their home – and just before the big NAB conference at that.

-Jeremiah Moore, San Francisco 2009

Gordon Hempton is an acoustic ecologist and Emmy Award-winning sound recordist who has provided audio services to Microsoft, Discovery, National Public Radio, and other organizations, and who has been profiled by major media including CBS News Sunday Morning, NPR, and People. He lives in Joyce, Washington.

Links

http://onesquareinch.org/ – website dedicated to the One Square Inch of Silence project

http://onesquareinch.org/book/ – Links for buying the book

http://soundtracker.com/ – Gordon Hempton’s site, where you can buy his recordings

Ideas

During discussion at the meeting, a couple of ideas came up for possible future events:

  • A technical salon in which we DO focus on gear and techinique for once, topics being things like field recording technique, fieldwork habits and ideas, recorders, microphones, windscreens, editing technology etc.  Perhaps we could work with the Nature Sounds Society on a DIY Microphone Windscreen workshop.
  • A conversational BASEbot salon organized around, for lack of a better term, “the zen of recording.”

Anyone interested in the above, please chime in via email or the mailing list.

Sound Designer James LeBrecht shares a few of his most favorite and most personally meaningful sound recordings.

Here’s the setup:  Jim is sitting in the center of Dan Dugan’s control panel, with Pro Tools behind him and faders for a quadrophonic monitoring system.  On and off, he talks and plays sounds which he’s gathered for the occasion.  About twenty people sit, listen and discuss.

We start with sounds from an exhibit installation about hybrid California cultures titled Trading Traditions.  Over the course of an hour and a quarter, we hear among other things Foghorns, quad recordings from San Francisco’s Tenderloin district, a Thanksgiving dinner, and evocative insects and frogs.

Later James talks about upcoming projects, including a documentary he’s mixing on the staging of the opera Doctor Atomic.  There’s a discussion of the sound of air itself clipping.  At around 68 minutes, we go around an mention favorite sounds.

On a technical note:  It was a hot evening in San Francisco and we had a fan running during the presentation.  Traffic can be heard going by the open doorwas going by, and a band down the street was practicing.  This recording documents that soundscape.  Where possible I’ve crossfaded from the room mic to a clean recording of the sounds.

-jeremiah

For Earth Day 2009, Seed Magazine has produced an audio slideshow called Ear to the Ground, featuring the work of our recent BASEbot presenter Gordon Hempton, and our colleagues from New York Society for Acoustic Ecology Jonny Farrow, Edmund Mooney and Andrea Polli.

Seed Magazine Slideshow: Ear to the Ground

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